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Richard Allison, ASAA
Duel
11 x 14
Oil
The SE-5A is generally considered
one of the most successful British single-seat fighters of the First
World War. First seeing combat in April 1917, the SE-5A quickly
proved itself the equal of the German Albatros, helping the Allies
regain air superiority in early 1918. |
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Richard Allison, ASAA
Dogfighter Par Excellence
11 x 14
OilThe legendary Sopwith
Camel was certainly one of the best fighters of the First World War.
The concentration of engine, guns, fuel and pilot in the extreme
front of the aircraft, caused the airplane to be extremely sensitive
in turns. Once mastered, these sensitive quirks gave the aircraft
exceptional maneuverability. |
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Steve Anderson, ASAA
Against the Wind
24 x 48
OilFor the Empire of Japan,
the Sun is no longer rising. Out of desperation, the Japanese air
forces develop the plan of “The Divine Wind” or Kamikaze attacks, to
break the stranglehold of U.S. Navy Task Forces. The primary
targets: U.S. carriers. An Essex Class Carrier off Okinawa has taken
a Kamikaze hit that penetrated the flight deck into the hangar deck
below. At flank speed she goes into an evasive turn. An escorting
Fletcher Class destroyer crosses the carrier’s bow with all guns
turning toward the next wave of Japanese suicide planes. Corsairs of
VF-84 from the USS Bunker Hill race to the defense of the crippled
ship. |
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Steve Anderson, ASAA
Twilight of the Jagdfliegers
24 x 48
Oil
Like Wagner’s musical masterpiece
Gotterdammerung (“Twilight of the Gods”), the final months of air
combat would attain heroic proportions for German pilots. Knowing
that an overall victory was unattainable, the pilots of the “Blue
Max” pushed themselves beyond the impossible. Replacement pilots
were as good as useless, so veteran pilots Lothar von Richthofen,
Erich Lowenhardt, and Ernst Udet, leaders of Jastas 11, 10, and 4,
took to hunting together. On the evening of August 8, 1918, von
Richthofen, Lowenhardt, and Udet open the ball with a flight of RAF
SE5s of No. 84 Squadron. By the end of the patrol the deadly trio
would bag nine enemy planes. |
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Giampaolo Baglioni
Survivor
18 x 20
AcrylicA-20K Number 6085 was
manufactured in August 1944 and shipped to Brazil in September 1944.
It was assigned to the 2nd Light Bombardment Group based in Sao
Paolo. In 1952 all Air Force Havocs changed their operational
profile to reconnaissance and attack as the RA-20K. In 1955 it was
decommissioned and in 1976 it was sent to the Air Force Museum-Musal
where it was restored for static exhibit. The 85 is one of the
sixteen A-20Ks still surviving in the world. |
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Jean Barbaud
Morane Knight
8 x 10
Ink and WatercolorA pair of
Morane N fighters fly above the battlefield at dawn. The machine-gun
firing through the propeller system being not completely safe, that
knight of the air chose to wear a helmet! |
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Alison Boyle
Good Morning Iraq
19 x 24
OilA team of AH-64 Apaches
receives a final mission-update and situation report as the crew
members make final operational and weapons checks. |
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Alison Boyle
Calm Before the Storm
18 x 24
OilThe Sikorsky S-65 is a
heavy transport helicopter originally developed for use by the
United States Marine Corps who designated it the CH-53 Sea Stallion.
This painting depicts a peaceful moment just before missile lock
flares were activated during a flight from Kunduz to Feyzabad in
North East Afghanistan. |
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Merana Cadorette
Aluminum Overcast
21 x 16
WatercolorA few impressions
from a ride on the EAA's flying museum "Aluminum Overcast.” Due to
the name, I chose to work the montage of inside flight scenes into
the dawn shadows cast by the plane at rest. |
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Steve Campbell
Cloud Escape
18 x 24
OilThis painting was
inspired by a solo flight I made through a broken cloud layer in our
1957 Piper Tripacer. |
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Hank Caruso, ASAA
Old Dog, New Tricks
11 x 14
Prismacolor & InkWhen the
Boeing B-52 Stratofortress (BUFF) first flew in 1952, no one
imagined that it would still be a credible battlefield combatant,
updated with modern weapons and electronic systems, more than 50
years later. The BUFF may be agin', but it's still ragin'. |
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Hank Caruso, ASAA
Not on my Homeland You Don’t
11 x 14
Prismacolor & Ink
This Aerocature© was created for
the Tailhook Association’s 2005 Symposium Program. It depicts a
carrier air wing aircraft superimposed on a carrier deck sporting
the "Don't Tread on Me" Navy jack. |
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Douglas Castleman
Voodoos in Orion
15 x 30
OilTwo McDonnell F-101C
Voodoos of the 81st TFW fly above the clouds over a well-lit West
German city in 1962. The sky is filled with several constellations,
including Orion just behind the banking fighter on top. |
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T.
J. Cronley
WestPac Harriers
24 x 36
OilTwo AV-8B Harriers from
VMA-513 are shown over Japan's Inland Sea. |
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Jack Fellows, ASAA
Strike of the Aztec Eagles
34 x 40
OilEscuadron 201 of the
Mexican Air Force was trained in the United States and attached to
the 58th Fighter Group, 5th USAAF. It fought the Japanese in the
Philippines, seen here above Ifugao Province in the Central Luzon
Highlands. |
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Jack Fellows, ASAA
Tokyo Sleeper
17 x 26
OilMinimum altitude attack
on Japanese shipping targets in Wewak Harbour by elements of the
405th Bomb Sqdn./38th Bomb Group/5USAAF on 2 Sept.1943. Aircraft
pictured:''TOKYO SLEEPER'', pilot: Roy Grover. |
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S.M.A. Hussaini, ASAA
JF-17 Thunder Makes Public Debut
24 x 36
OilAfter years of careful
design conceptualization and project planning between strongly
bonded China and Pakistan, the first prototype of the HF-17 Thunder
fighter flew in 2003. Making rapid progress under dedicated teams
for both countries, the JF-17 emerged as the world’s front-line
fighter of the new century. On 23 March 2007, a pair of JF-17’s made
their first public appearance over Islamabad during the Pakistan Day
Parade, reviewed by the President. This painting shows one of the
two Thunders, painted in the striking colors of China and Pakistan,
as its pilot, Wing Commander Ashan, passes before the spectator
stands during a rolling maneuver. |
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Erik Lindbergh
Blue Skies
11 x 16 x 10”
Sculptural/BronzeThis is a
bronze version of the aircraft I flew 17 hours solo, non-stop from
New York to Paris on the 75th anniversary of my Grandfather’s
historic 1927 flight. The gorgeous Blue Marble Patina appears as if
it was carved from stone. A Signed Limited Edition of 75 |
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Wade Meyers
Fighting 17
24 x 32
OilVF-17 Jolly Rogers
commanding officer LCDR Tommy Blackburn flies his "Big Hog" F4U
Corsair, circa late November 1943. VF-17 played a large role during
their training period in preparing the Corsair for fleet-wide use.
Eliminating the F4U's tendency to "bounce" during carrier landings
and taming the plane's nasty stall characteristics were two
important VF-17 technical innovations. In combat they scored a
record 152 victories in only 76 days of combat during the Solomon’s
campaign |
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Michael O’Neal, ASAA
Valentine’s Day
18 x 24
OilNew Jersey’s Lt.
Valentine Burger, flying with French Escadrille C.46, downs German
ace and commanding officer of Jagdstaffel 19, Leutnant Hans Pippart
on 11 August 1918 |
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George Pendlebury
Stirring up a Hornets Nest
11 x 17
Pen and InkCrew members of
an F/A-18D (R/A) Hornet discuss a mission, perhaps over Iraq where
this aircraft of the U.S. Marine Corps squadron VMFA-242 served. |
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Mark Pestana
Racy Tomato
24 x 36
OilThe 449th Bomb Group
crosses the Austrian Alps after departing from Grottaglie, Italy in
February, 1944. Captain Al Issacs, aircraft commander, painted the
“Racy Tomato”, and later pursued a successful commercial art career.
“Racy Tomato” and her crew rest at the bottom of the Adriatic Sea,
lost on December 25, 1944. |
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Cher Pruys
Nose Cone
10 x 13
WatercolorThis is a portrait
of the nose cone of a Beech 17 (Staggerwing). The polished chrome
finish reflects the owners care and pride making a pleasing
composition. |
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Cher Pruys
Caravan
16 x 22
Watercolor
The Cessna Caravan is preparing for
another busy day at work in the North, transporting fishermen and
their supplies to various destinations. |
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James Pullen
Chords
30 x 24 x 18”
Sculptural/Wood and MylarMy
work is focused on the utility of things and trying to represent the
ordinary in ways that leave the viewer room to fill in the blanks |
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Sharon Rajnus
Excelsior Descending
22 x 15
WatercolorThe yearning for
flight is world-wide and hot-air ballooning is an answer to this
primal desire. Balloons can take us “out of this world” in the
gentlest of styles, and the change of perspective is unforgettable.
Descent, whereupon the wicker basket again touches the earth, can be
the most testing portion of the flight, the return to mere
earthboundness…. |
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Norm Siegel
From Here to Infinity
27 x 31
Gouache |
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Edgar L. Smith, IV
Rollout 2
21 x 27 x 27”
SculpturalCustom-formed
isolator fittings bolted to this Piper Twin Comanche PA-30/39 engine
mount support a glass top. Its undercarriage has been modified with
the addition of tubular cantilever leg extensions, accommodating a
lower glass shelf. Both glass surfaces and legs are adjustable for
leveling. Finish is powder-coated chrome and black. |
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Russell Smith, ASAA
The Morning Job
17 x 40
OilThe Morning Job depicts a
Royal Aircraft Factory FE-2b. Used primarily as an
observation/bomber, this “pusher” design was an early solution to
the problem of firing through the propeller. This particular FE-2,
#4852 was shot down by Hauptmann Martin Zander on September 17,
1916. |
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Russell Smith, ASAA
The Stand
18 x 25
OilThe Stand depicts Lt.
Frank Luke during the final, controversial moments prior to his
death on September 29, 1918. Mortally wounded and under fire, Luke
managed to struggle free of his downed airplane and make his way to
a nearby creek where he died soon after. |
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Mimi Stuart
Mastery: Bess Coleman
Mystery: Amelia Earhart
48 x 24 (Diptypch each 48x 24)
Oil“Brave Bessie” Coleman,
daughter of sharecroppers, thrilled two continents with her mastery
of daredevil skills. Amelia Earhart braved the skies, becoming
America’s sweetheart, only to be lost in a shroud of mystery. |
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Charles Thompson, ASAA, GAvA
Doors Wide Open
12 x 16
OilChance Vought F4U Corsair
of the Imperial War Museum at Duxford, Cambridgeshire, England.
Painted on site. |
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Kevin Weber
Deadly Escort
24 x 36
OilWhile flying his heavily
damaged P-47 back to England, Robert S. Johnson turned to see the
FW-190 of Egon Mayer closing in on him. The German unloaded his guns
on the weary American with no success. Then he flew along side
Johnson observing the heavily damaged plane, saluted, and pulled
away. |
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Andrew C. Whyte, ASAA
Osa in Borneo
24 x 30
OilTo create travel
adventure films, photographers Martin and Osa Johnson traveled in
Africa in their Sikorsky S-38 and S-39 during the 1920s and 1930s.
They further flew this S-39, in its giraffe paint scheme, a
single-engine amphibian powered by a Pratt and Whitney Wasp Jr.,
throughout Borneo. The mountain in the painting is known as the
Chinese Widow. |
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Ronald T. K. Wong, ASAA, GAvA
Merlins Over Masada
18 x 27
AcrylicSpitfire Mk.IX's of
the nascent Israeli Air Force overfly the Masada plateau during the
struggle for Palestine. Masada was heavily symbolic of the struggle
to establish the nation of Israel. |
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Keith Woodcock, ASAA, GAvA
Bring Her Back Safely, Buddy
12 x 12
OilMaintenance crews stop
work to watch the first of their Group’s B-17 aircraft take off at
dawn for another long and hazardous daylight bombing raid over enemy
territory. |